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Impossible Modernism reads the writings of German thinker and critic Walter Benjamin (1892–1940) and Anglo-American poet and critic T. S. Eliot (1888–1965) to ascertain the connection among literary and old shape through the modernist interval. It focuses fairly on how they either resisted the varieties of narration demonstrated through nineteenth-century educational historians and grew to become as a substitute to standard literary devices—lyric, satire, anecdote, and allegory—to reimagine the kinds that ancient illustration may perhaps take. Tracing the fraught courting among poetry and background again to Aristotle's Poetics and ahead to Nietzsche's Untimely Meditations, Robert S. Lehman establishes the coordinates of the intellectual-historical challenge that Eliot and Benjamin inherited and gives an research of ways they grappled with this legacy of their significant works.

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